Another very belated update on doings of late!
As mentioned in my previous post, I was lucky enough to attend the Palm Beach Poetry Festival online as a Kundiman scholar with Matthew Olzmann and the Tin House Winter Workshop with Leila Chatti. Both experiences were incredible despite the restrictions of the online format — I’m very lucky to still be in touch with classmates and teachers from both cohorts and their amazing talents.
I was also incredibly lucky to be accepted into Warren Wilson College’s low-residency MFA poetry program for their summer intake. Warren Wilson is one of the oldest and most distinguished low-residency programs in the US, and I’m very excited to begin my studies there. I’ve already started preparing for what I’m hoping will be a rigorous two years.
And while I’m in the US I’ll also be attending Tin House Summer Workshop — for the first time in person! I’m really looking forward to studying with Paisley Rekdal, and meeting some wonderful friends for the first time in real life.
Before I head off though, I’ll be performing some poetry at a concert of new music organised by my dear friend Paul Castles! Conceived during lockdown, the concert will feature words, music, and art in response to transition, locality, and the lost intimacies between strangers. The poetry I’ll be performing will include extracts from a song cycle Paul and I have been working on for a few years, Nat/Jessie/Jimmy, as well as some new poems. I’ll also be narrating the lyrics of some of Paul’s work with other collaborators. A casual one-hour event, it should be a lovely night of new music. If you’re in Sydney at the end of May, you can get your tickets here.
Also back on again thanks to things re-opening is The Red Dust, which was postponed a couple of times due to lockdown. This time we’re presenting a smaller, more intimate development version of the show, with direction by Nate Gilkes, music by Nate Gilkes and Dr Nicholas Ng, choreography by Jia-wei Zhu, subtitles by Jing Han at the Institute for Australian and Chinese Arts and Culture (IAC), elders from Chinese Australian Services Society (CASS), and a company of brilliant young people from Marian St Theatre for Young People. The show follows a young Chinese-Australian teen as she searches for her mother in a post-apocalyptic, red dust-covered Blue Mountains, and features poetry, music, dance, and physical theatre. Rehearsals are starting soon and I’m very excited! If you’re in Sydney mid-July, do come along and get your tickets here!
More soon!